Ideas

Ideas

Evolution's Ark II

Jars

The jars had nothing in them but tap water and food colouring. They shimmered seductively against a back wall – blue, green, yellow, red and orange – but that still didn't explain why people gravitated towards them, actually hovered around them, looking at one, and then another, and another ... the only explanation for that is the sheer power of the human imagination.

On Endpapers and Flyleaves

Book design

Mark Twain once had the pleasure of quelling a wayward rumor by announcing, "The reports of my death are greatly exaggerated." The same, it would seem, could equally be said for books.

How many times in the past decade have we been told of the imminent death of the book? And yet, despite the growing proliferation of digital tablets and readers, the traditional book arts remain remarkably rosy cheeked.

Living in a Two Colour World

There was a time when it seemed we were destined design in two-colours only. Budgets were tight and the cost savings of printing in two as opposed to four (or more) colours were substantial.

Ironically, though, learning to make the most of what one could achieve with two colours lead to results that we still remain extremely proud of – examples of which include the catalogs we designed for the Netherlands Architectural Institute in Rotterdam, and the annual student prospectus we designed for the National College of Art and Design in Dublin.

The Death of Creativity

At the risk of perpetuating that old cliché about necessity being the mother of invention, or worse yet, simply being naive, we'll play the devil's advocate and make the claim that formalised attempts to harness the power of the 'creative industries' is one sure way to kill creativity.

Evolution's Ark I

An Imaginary Museum

The collecting mania of the enlightenment backed strict believers in the story of Noah and the Ark into a tricky corner.

As zoologists, botanists, amateur naturalists, and professional hunters scoured the earth, bagging and boxing every living thing – not to mention every trace of any once living thing – the creationists of the time could no longer overlook the growing mountain of evidence. How could Noah have possibly fit all that into one measly ark? As Sheriff Brody so eloquently said in the movie Jaws, you're gonna need a bigger boat.

Mapping Relationships II

Evolutionary Trees

Representing the complex relationships between generations of a single family is one thing; try representing the evolutionary links between all known life forms.

Enriching information

Berlin Zoo Educational Exhibitions

We all absorb information differently; some people prefer imagery to words, others words to imagery. Some of us skim the surface for large nuggets of information, while others dig deep for the hidden flakes of detail. Making matters even more complicated, our individual habits change with the context and our mood. A skimmer one day may be detail obsessed the next; and a picture person can just as suddenly convert to the world of words.

Mapping Relationships I

A Family Tree

The world we live in is a complex place, a fact that for centuries has presented designers — be they mapmakers or information architects — with a troublesome paradox. How do we represent complexity in a visual form that is clear and understandable and yet illuminating and enriching? In other words, how do we represent complex relationships simply, but not too simply? A conceptual minefield awaits anyone attempting to resolve the paradox – to illuminate certain relationships necessarily means burying others in darkness. 

On Cats, Dogs and Other Creatures…

Inspiration and ideas often come from the least expected places. Take for example one of our favourite books, the “The Complete Dog Book” from the American Kennel Club. We found it in the stacks of eclectic second-hand gems at Strand Books in New York.

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